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Vox clamantis in deserto

Robert Whitcomb Robert Whitcomb

In Dublin: Art, astronomy, Yankee Inc., peace confabs, Twain, etc.

“Close Call’’ (assemblage), by Robert Hauser, in his current show at the Putnam Gallery at the Dublin School, Dublin. N.H.The gallery says that Mr. Hauser is an artist and conservator “who works in assemblage and the Gestalt Theory. In this show, he…

“Close Call’’ (assemblage), by Robert Hauser, in his current show at the Putnam Gallery at the Dublin School, Dublin. N.H.

The gallery says that Mr. Hauser is an artist and conservator “who works in assemblage and the Gestalt Theory. In this show, he explores the history of developments and discoveries in astronomy. Each work is based on a single concept and reflects his engagement with ideas, cultural responses and personal connections to knowledge. Each piece is not a statement but an opportunity for association and development of a narrative by the viewer with both the work and the ideas that inspired it.’’

Dublin, long a weekend and vacation refuge for wealthy Bostonians, New Yorkers and Philadelphians, is also known as the highest town in New England; headquarters of Yankee Inc. which publishes The Old Farmer’s Almanac and Yankee magazine; an estate, with a mansion, called Beech Hill Farm that later became a famous “drying out spa’’ for alcoholics (some of them celebrities) and is now a private estate again, and the two Dublin Peace Conferences, held at the Morse Farm in 1945 and 1965, out of which grew the United World Federalists.

Not usually bustling downtown Dublin

Not usually bustling downtown Dublin

Mark Twain spent two summers in Dublin, and pronounced it his favorite place in the world. Here he is at Dublin’s Mountain View Farm, which he rented in 1906.

Mark Twain spent two summers in Dublin, and pronounced it his favorite place in the world. Here he is at Dublin’s Mountain View Farm, which he rented in 1906.



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Robert Whitcomb Robert Whitcomb

Don't trust April

Postcard drawing of the New Milford Public Library, built in 1897-1898, as it appeared c. 1905.

Postcard drawing of the New Milford Public Library, built in 1897-1898, as it appeared c. 1905.

“Rebellion shook an ancient dust,

and bones, bleached dry of rottenness,

Said: Heart, be bitter still, nor trust

The earth, the sky, in their bright dress.’’

— From “April Mortality,’’ by Leonie Adams (1899-1988). She spent her later years in New Milford, Conn.

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Robert Whitcomb Robert Whitcomb

Genetically engineered American Chestnut Trees

“Chesnutting’’ (wood engraving) , by Winslow Homer (1836-1910).

“Chesnutting’’ (wood engraving) , by Winslow Homer (1836-1910).

From Robert Whitcomb’s “Digital Diary,’’ in GoLocal24.com

A March 31 story in GoLocal headlined “Battle Over Chestnuts: Genetic Engineering Prompts American Chestnut Foundation Resignations’’ discussed a debate in that organization over its support of planting American Chestnut Trees that have been genetically engineered by inserting a wheat gene into the chestnuts. In the 20th Century, a blight from China killed most of these once very common trees; they were virtually extinct by 1950, though I remember a still-beautiful one in my home town in the 50s. (Don’t confuse these trees with the also beautiful Horse Chestnut Tree, by the way.)

To help save the American Chestnut, arborists started using a technique (not the one above) called backcross breeding, in which one or a few genes controlling a specific trait of a species are transferred from one genetic line into a second. This has helped lead to a renaissance of the trees in some places.

Foes of the controversial genetic-engineering plan note that there are no long-term studies of the impacts of this sort of thing on forests, wildlife pollinators or humans. So why not avoid the wheat-gene tool, at least for a while? Of course, some jurisdictions will allow it, and the effects will spread in the wild. But pushing back seems honorable given the uncertainty around genetic modification in the wild.

Now if we could bring back the American Elm to its full glory!

American chestnut field trial sapling from the American Chestnut Cooperators Foundation— Photo by Jaknouse

American chestnut field trial sapling from the American Chestnut Cooperators Foundation

— Photo by Jaknouse



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Robert Whitcomb Robert Whitcomb

The eloquence of silence

Edmund Muskie

Edmund Muskie

“In Maine we have a saying that there's no point in speaking unless you can improve on silence.’’

Edmund Muskie (1914-96), served as Maine governor and U.S. senator, as President Carter second secretary of state and as Hubert Humphrey’s vice-presidential running mate in 1968.

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Robert Whitcomb Robert Whitcomb

Avoiding expensive sins

First Seal of the Massachusetts Bay Colony.

First Seal of the Massachusetts Bay Colony.

“The New Englander leaves New England / to flaunt his drab person
Before Latin decors / and Asiatic back-drops.
Wearies. / Returns to life, — life tried for a little while.
A poor sort of thing / (filling the stomach; emptying the bowels; 
Bothering to speak to friends on the street; / filling the stomach again; 
Dancing, drinking, whoring) / forms the tissue of this fabric.-
(Marriage; society; business; charity; - / Life, and life refused.) 

The New Englander appraises sins, / and finds them beyond his means, and hoards
Likewise, he seldom spends his goodness / on someone ignoble as he, 
But, to make an occasion, he proves himself / that he is equally ignoble.
Then he breaks his fast! / Then he ends his thirsting! 
He censors the Judge. / He passes judgment on the Censor. / No language is left.
His lone faculty, Condemnation, -condemned. / Nothing is left to say.
Proclaim an Armistice. / Through Existence, livid, void, / let silence flood.’’

— From “Come Over and Help Us,’’ by John Brooks Wheelwright

“The first seal of Massachusetts Bay Colony showed a nude American Indian with a bush covering his groin. Like the current seal, he held in his hand an arrow pointed down. A scroll came out over his mouth with the words "Come over and help us", emphasizing the missionary and commercial intentions of the original colonists.’’ — Wikipedia

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Robert Whitcomb Robert Whitcomb

Always good advice

“Leave No Trace,’’ (acrylic and gold metal leaf on canvas), by Pauline Lim, in the Brickbottom Artists Association’s (Somerville, Mass.) annual members’ exhibition, April 18-May 18.

“Leave No Trace,’’ (acrylic and gold metal leaf on canvas), by Pauline Lim, in the Brickbottom Artists Association’s (Somerville, Mass.) annual members’ exhibition, April 18-May 18.

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Robert Whitcomb Robert Whitcomb

Chris Powell: So what if they have contempt for Trump; licensing cats in Conn.

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Do journalists need protection from President Trump and his supporters? Connecticut U.S. Sen. Richard Blumenthal professes to think so.

With two other Democratic members of Congress. New Jersey Sen. Bob Menendez and California Rep. Eric Swalwell, Blumenthal has introduced what they call the Journalist Protection Act, which would make it a federal crime for "to intentionally cause bodily injury to a journalist affecting interstate or foreign commerce in the course of reporting or in a manner designed to intimidate him or her from newsgathering for a media organization."

Trump certainly is heaping contempt on news organizations, if no more than many news organizations are heaping contempt on him. For purposes of the law it hardly matters who is right, for each side is free to express contempt and even lie about the other short of the very limited actionable forms of libel. While this worsens political polarization and may help people rationalize political violence, there is no need for the Journalist Protection Act. The proposal is just another dreary episode of the political posturing that turns government into a big charade.

Journalists reporting sensitive matters have always been vulnerable to retaliation, but there is no epidemic of assaults on journalists in the United States.

Enacting federal law to criminalize what is already against state law everywhere, as ordinary assault is, would be needed only if a state was refusing to provide equal protection of the law, as segregationist states long failed to protect black people, condoning beatings and lynchings. But there is no evidence that the basic criminal law in any state has been so corrupted by the country's bitter politics that equal protection is in danger.

Besides, constitutional guarantees of free speech and press do not belong exclusively to people making a living from journalism. To the contrary, the right of free expression belongs to [ITALICS] everyone, [END ITALICS] so journalism is not a profession but everyone's [ITALICS] right. [END ITALICS] Journalists neither need nor deserve special protection because [ITALICS] anyone [END ITALICS] can be a journalist at any time. Since the invention of paper and then movable type, journalism always has been relatively easy to attempt, and now, thanks to the internet, everyone can instantly become a journalist with a potentially worldwide audience.

If enacted the Journalist Protection Act will provide no real protection to anyone, but then it's not meant to. It's meant only to remind the Trump haters in Trump-hating states that the bill's sponsors still hate Trump too. They could have said as much in a press release and avoided the expense of drafting legislation.

xxx

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PREYING ON PETS: As if it's not enough to impose tolls on Connecticut's highways and eliminate a score of sales tax exemptions, legislation has been introduced in the General Assembly to license cats and charge $15 to anyone who adopts a cat or dog from a municipal shelter.

Yes, municipal shelters cost a little money but people who adopt the orphaned creatures save municipal government the expense of caring for them or euthanizing them. The cats-and-dogs bill should be tabled at least until, say, the salary of the president of the University of Connecticut is capped at the salary of the president of the United States, $400,000 a year, and state and municipal employees are no longer paid to stay home on Columbus Day while taxpayers drag themselves to work.

Chris Powell is a columnist for the Journal Inquirer, in Manchester, Connecticut.


















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Robert Whitcomb Robert Whitcomb

Don Pesci: On the decline of political rhetoric; reaffirm subsidiarity

FDR nemesis Clare Booth Luce, famous wit.

FDR nemesis Clare Booth Luce, famous wit.

VERNON, Conn.

One of my college professors – let’s call him Stringfellow – spoke in long, flowing sentences, each of which might easily have been parsed into sparkling separate mini-poems. He liked Faulkner, disliked Hemingway, and tolerated Tennessee Williams for two reasons. Williams consciously structured some of his plays on classical Greek models – compare Suddenly Last Summer ]with Euripides’s The Bacchae – and Tennessee, he thought, was a name one could conjure with, as Wallace Stevens did adeptly in "Anecdote of the Jar," the first line of which runs, “I placed a jar in Tennessee/ And round it was, upon a hill …”

One day, a student asked Stringfellow – this would have been in the middle 60’s – “When do you plan to join the 20th Century?’ to which Stringfellow replied, “It would be a very wicked thing to wish to be a part of the 20th Century.”


The 20th Century, one of the bloodiest and confused epochs in U.S. history, left us 19 years ago last January.
The professor, students of history will notice, had a point. The century opened with World War 1, followed by World War II, followed by the Korean War, followed by the Vietnam War. And somewhere in there, we heard the Soviet Union crack and crumble, a cause of great rejoicing for nearly everyone but some few academics and willfully perverse journalists.


Every epoch has its dark side, its bloody mysteries. And it is by no means certain that succeeding generations will necessarily improve on their predecessors. In what sense is Atsuro Riley’s poem “The Skillet” an improvement on Alexander Pope’s “Epilogue to the Satires?”

Riley: “Of orange stove-eye (right front) and hawkhooked
pot-hook, overhung. Of (vaporous) supper-hour and
-hurlstorm…”

Pope: “Yes, I am proud; I must be proud to see
Men not afraid of God afraid of me.”

Good writing will be quotable and memorable. Though new, the twittering 21st Century already is eminently forgettable.


And the same holds true of men and women. When Franklin Roosevelt, campaigning against his tormentor, U.S. Rep. Clare Boothe Luce, of Connecticut, accused Luce of being a "a sharp-tongued glamour girl of forty,” the congresswoman from Fairfield County instantly retorted that Roosevelt was "the only American president who ever lied us into a war because he did not have the political courage to lead us into it." Luce died in 1987, but it is a fair bet she would have considered the tweets of most 21st Century politicians menacingly dumb and forgettable.

True, quotable Churchills are rare in human history, but most modern politicians do not even aspire to the quotability of, say, Adlai Stevenson: “Flattery is all right so long as you don't inhale.”

Pope: “Averse alike to flatter, or offend;/ Not free from faults, nor yet too vain to mend.”

Intelligent, “woke” thought, up until the 21st Century, roundly condemned the flatterers; but this was before flatterers found they could make a dishonorable but highly remunerative living as political consultants and communication directors for political campaigns. Now the disease is everywhere, tolerable only to those who do not inhale.


Stevenson: “The idea that you can merchandise candidates for high office like breakfast cereal - that you can gather votes like box tops - is, I think, the ultimate indignity to the democratic process.”

Stevenson understood the radical difference between sound political policies and what he and politicians before him understood to be disruptive enthusiasms, i.e., campaign slogans parading as realpolitik. “Some people approach every problem with an open mouth,” said Stevenson, a word-perfect picture of U.S. Rep. Alexandria Ocasio-Cortez’s New Green Deal scheme, the latest enthusiasm among Connecticut’s progressive, all-Democratic congressional delegation.

Most voters in the state are affronted by the notion that if they like their cars, they can’t keep them; if they like their houses, they can’t keep them; if they dislike windmills spoiling their scenery, they must have them; if they prefer their town governments to decide the fate of their schools and their communities, this option must not be available to them. These sensible, unbewitched people prefer more democratic solutions to thorny problems, such as: if they do not like their politicians, they should be able to get rid of them pronto!

A restoration of small “r” republican government must entail a reaffirmation of the doctrine of subsidiarity, which holds that political units closest to those affected by political decisions should prevail in making the decisions: fathers and mothers should decide the fate of their families; owners of businesses should decide the fate of their commercial enterprises; neighbors should decide the fate of their neighbors, towns should decide the fate of their municipalities; and both state and nation should busy themselves with facilitating small “r” republican government.

As to whether Connecticut is progressing or regressing politically, consider the following quote that, like a geyser of authoritarian presumption, issued from Connecticut’s progressive Speaker of the State House of Representatives, his Excellency Joe Aresimowicz. Responding to a non-binding resolution disapproving of tolls issued by towns and cities, Aresimowicz condemned such disapproval as “moronic,” an arrogant piece of anti-republican political sniping that could not even survive long as a tweet. “I used the harsh word moronic and I meant it," said Aresimowicz, who later unmeant it.


For the future, here is a useful political rule of thumb: If what you are saying is not edifying, memorable, honorable or quotable – shut up.

Don Pesci is an essayist based in Vernon.

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Robert Whitcomb Robert Whitcomb

Naked in a new world

]

]

“All along the road the reddish

purplish, forked, upstanding, twiggy

stuff of bushes and small trees

with dead, brown leaves under them

leafless vines-

 

“Lifeless in appearance, sluggish

dazed spring approaches-

 

“They enter the new world naked,

cold, uncertain of all

save that they enter….’’

- From “Spring and All,’’ by William Carlos Williams

  






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Robert Whitcomb Robert Whitcomb

Who are we?

“Myron/Meyer: Erie’’ (archival inkjet print), by Larry Volk, in his April show at Bromfield Gallery, Boston. He engages in photographic explorations of identity.

“Myron/Meyer: Erie’’ (archival inkjet print), by Larry Volk, in his April show at Bromfield Gallery, Boston. He engages in photographic explorations of identity.

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Robert Whitcomb Robert Whitcomb

Chuck Collins: America needs a 'plutocracy prevention' program

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Via OtherWords.org

BOSTON

The U.S. is suffering from excessive wealth disorder.

This isn’t your parents’ inequality influenza, but a more virulent strain of extreme disparities of income, wealth, and opportunity.

Just 400 billionaires have as much wealth as nearly two-thirds of American households combined. And just three individuals — Jeff Bezos, Warren Buffet and Bill Gates — have as much wealth as half of all U.S. households put together.

Since the economic meltdown of 2008, the lion’s share of income and wealth growth hasn’t gone just to the top 1 percent — it’s gone to the richest one-tenth of 1 percent. This 0.1 percent includes households with annual incomes starting at $2.2 million and wealth over $20 million.

This group has been the big winner of the last few decades. Its share of national income rose from 6 percent in 1995 to 11 percent in 2015. But their biggest gains are in wealth, increasing their share from 7 percent in 1978 to over 21 percent today.

That’s 210 times their share of the population.

When you have over $20 million, you’ve easily taken care of all your needs and those of the next generation of your family. You’re living in comfort, probably with multiple homes, and don’t want for anything.

It’s at this point we see the telltale signs of excessive wealth disorder. Despite being already comfortable beyond measure, segments of this 0.1 percent will often invest their wealth to rig the political rules to get even more wealth and power.

They contribute the legal maximum donations to politicians and then do an end run around campaign finance laws to siphon even larger sums through “dark money” SuperPACs, using corporate entities that don’t have to disclose donors.

When this donor class demands tax cuts, their political puppets kick into overdrive to deliver the goods.

The 0.1 percenters create charitable foundations that become extensions of their own power and privilege. They undermine the health of the nonprofit sector by controlling a growing share of the charitable giving pie.

They deploy their wealth to help their kids get into elite colleges, both through donations and, as we’ve seen recently, outright bribery.

It’s clear the rest of society needs to intervene. Excessive wealth disorder is wrecking life for the rest of us.

What can we do? We need to put forward a “plutocracy prevention program” — public policies to reduce the power of this top 0.1 percent group.

Some presidential candidates are stepping forward with bold ideas. Senator Elizabeth Warren’s wealth tax idea is a courageous step in this direction. She’s proposed a 2 percent annual tax on wealth over $50 million, with a 3 percent rate on wealth over $1 billion.

Progressive Democrats have proposed raising the top marginal tax rate to 70 percent on households with incomes over $10 million. Senators Kamala Harris and Bernie Sanders both have proposals to make the estate tax more progressive and slow the accumulation of dynastic wealth.

Polls show widespread popular support for these proposals. All of them face steep sledding in a Congress beholden to the top 0.1 percent donor class.

One first step might be a proposal that exclusively targets the 0.1 percent class. How about a 10 percent income surtax on incomes over $2 million, including capital gains?

That’s not as steep as a 70 percent marginal rate, but it would move us in the right direction. It would raise substantial revenue — an estimated $70 billion a year and $750 billion over the next decade — from those with the greatest capacity to pay.

Bringing such a proposal to a vote would require lawmakers to make a clear choice: Are you with the vast majority of voters who believe the super-rich should pay more? Or are you carrying water for the richest 0.1 percent?

Chuck Collins, who is based in Boston, directs the Program on Inequality at the Institute for Policy Studies.

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Robert Whitcomb Robert Whitcomb

Chris Powell: Hartford mayor's brilliant fiscal overloading; will extortionist ex-mayor return?

Hartford’s Beaux-Arts City Hall.

Hartford’s Beaux-Arts City Hall.

Hartford could do worse than give Luke Bronin another term as mayor, as those who live outside the capital city may realize from former Mayor Eddie Perez's candidacy to return to City Hall.

A decade ago Perez got caught taking kickbacks from a city contractor and was convicted in state court of bribery by extortion. In case anyone had forgotten this, just a few weeks ago Superior Court Judge Cesar A. Noble revoked Perez's city pension. Perez's misconduct, the judge wrote, was "severe" and had caused people to lose confidence in the honesty and integrity of elected officials.

The judge may have overstated expectations of honesty and integrity in government, but at least Bronin seems to have run a clean administration, insofar as it can be done in Hartford. In any case he has performed a spectacular and lasting service to the city. That is, Bronin helped former Gov. Dannel P. Malloy snooker the General Assembly into passing legislation transferring to the state the city's more than $500 million in bonded debt, a measure legislators said they understood to be doing no more than giving the city $40 million in emergency aid. It may have been the Brink's Job of Connecticut politics.

The state's assumption of Hartford's debt will be worth millions of dollars to the city in interest payments every year, tens of millions over time. Of course this will cost state taxpayers the same amount. Governor Lamont's "debt diet" won't help; the damage has been done.

Will Bronin's re-election campaign tout the debt transfer? The mayor's boasting about it may not make friends for the city, but the people who were snookered can't vote there. While by seeking concessions Bronin has alienated the unions representing city government's employees, the debt transfer will save the city far more than concessions ever would. Somebody in Hartford should be grateful for that.

Perez isn't Bronin's only challenger but he is the best known and the only Hispanic in the race, which may mean something to voters if corruption doesn't. Like politics in Bridgeport, politics in Hartford is so grubby and grasping that city voters may consider corruption merely incidental, as voters in Bridgeport did when they re-elected Joe Ganim as mayor four years ago despite his conviction for bribery and extortion and his long imprisonment.

Ganim and Perez are Democrats and it already has been fun to watch Connecticut's Democratic leaders dance around an extortionist's return to power in the state's largest city. Imagine the awkwardness that might ensue if the capital city vindicated another extortionist.

But power will help the Democrats get over it, leaving the challenge to those remaining in the state who would prefer preserving some standards in public life.

That is, what does it say about the last half century of urban policy in Connecticut that city voters have such low aspirations or are so indifferent to integrity in government?

Could Eddie Perez's return to Hartford City Hall shock anyone in authority into suspecting that the state's urban policy doesn't work, that it just impoverishes, degrades, breeds dependence on government, and nurtures corruption? Could Perez's return even shock anyone in authority into suspecting that urban policy \ does work because it is meant to do those things, since they are so lucrative in politics?


Chris Powell is a columnist for the Journal Inquirer, in Manchester, Conn.



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Robert Whitcomb Robert Whitcomb

Todd McLeish: And now, the sea potatoes invasion

Not very inviting sea potatoes.

Not very inviting sea potatoes.

From ecoRI News (ecori.org)

During a class field trip to Mackerel Cove, in Jamestown, R.I., in 2017, University of Rhode Island student Jacob Reilly picked up an unusual brown seaweed that looked like a hollow ball and asked his professor what it was. The answer was a surprise.

Reilly had stumble Mcd upon the first appearance in Rhode Island of what has come to be called sea potatoes (Colpomenia peregrina), an invasive seaweed native to the coast of Korea and Japan that grows on top of other seaweeds.

“It’s not a parasite; it just settles and grows on top of other algae,” said Lindsay Green-Gavrielidis, a marine ecologist and URI postdoctoral researcher who teaches the class. “We don’t know what impact it’s having on native seaweeds, though we hypothesize that it may be in direct competition for nutrients and light. But nobody has done any research to quantify its impact.”

Green-Gavrielidis has a history with the invader. Sea potatoes had been unintentionally introduced to Europe sometime in the early 1900s, probably in ship ballast, and from there it made its way to Nova Scotia in the 1960s. It took until 2010 for it to be discovered in the Gulf of Maine, when Green-Gavrielidis found it while conducting research for her doctorate at the University of New Hampshire.

In addition to the ball-shaped form it typically takes, the seaweed also forms a crust that grows on rocks that easily goes unnoticed, so Green-Gavrielidis speculated that it may have been “hiding out for a long time like that, and then when the conditions were right the ball form started appearing.”

The appearance of sea potatoes along the Rhode Island coast is significant because it has crossed what Green-Gavrielidis calls a major biogeography boundary: Cape Cod. The waters to the north of Cape Cod are dominated by the Labrador Current from Greenland, which makes for colder, more nutrient-rich waters. South of the Cape is dominated by the warm Gulf Stream.

“What it says about sea potatoes is that it has a really broad tolerance for a variety of conditions, and not many species can do that,” she said. “Most species don’t have the ability to move to such very different places. Species that are successful invaders do. We were hoping it wouldn’t be able to cross into this geographic region because of the different conditions.”

To determine how common sea potatoes are in Rhode Island waters, Green-Gavrielidis conducted a methodical search for it at 13 sites along the state’s coastline last year and conducted several quantitative surveys to compare its abundance to a similar native species called sea cauliflower.

The research was published last month in the journal BioInvasions Records.

In addition to Mackerel Cove, sea potatoes were also found at East Beach and Ninigret Pond in Charlestown and South Ferry Beach in Narragansett. It wasn’t found any further north in Narragansett Bay than South Ferry Beach, perhaps because the native seaweed it is most commonly associated with, rockweed, is not found in abundance in the upper bay. No sea potatoes were found in Westerly or eastern Connecticut, either, so it hasn’t likely found its way into Long Island Sound yet.

“The biomass we found in Rhode Island is much lower than what we found in the Gulf of Maine, so maybe it hasn’t been here as long,” Green-Gavrielidis said. “That might also be because the environmental conditions are such that it’s not doing so well here. We do have some preliminary data that shows that there are herbivores — snails primarily — that eat it, so that’s good.

“Often you think that when a new species comes on the block, there isn’t something that consumes it. But we’ve done studies that show that the common periwinkle will readily and happily pursue it.”

That’s a good sign, since there is little that can be done to stop it.

“We need to continue monitoring it to see if its going to increase in abundance,” she said. “We expect it to continue spreading. Whether it moves up into the bay or west to Long Island Sound is unknown. And whether it’s a good thing, a bad thing, or neither, only continued research can tell us.”

Green-Gavrielidis and URI colleague Niels-Viggo Hobbs will be conducting a new research project this summer and fall that involves sampling rockweed habitats — the native seaweed most closely associated with the sea potato invasion — so they will be keeping an eye out for the newly arrived seaweed. Their students are also conducting laboratory studies to determine whether native seaweed-eating marine life will eat it and if it is preferred over native seaweeds.

Rhode Island resident and author Todd McLeish runs a wildlife blog.

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Robert Whitcomb Robert Whitcomb

Coxswains and contempt in crew

A coxswain (far right), sitting in the stern, facing the rowers, at the Head of the Charles Regatta, an annual event.

A coxswain (far right), sitting in the stern, facing the rowers, at the Head of the Charles Regatta, an annual event.

“In crew, contempt is important. In Boston, Boston University and Northeastern crew are treated with contempt by the college {Harvard} up the {Charles} river. Intramural crew is treated with contempt. Nonathletic coxswains (Chinese engineering majors, poets) are treated with contempt. A true coxswain is a diminutive jock, raging against the pint size that made him the butt of so many jokes at prep school. He runs twenty stadiums a day, his girlfriend is six feet one, and he can scream orders even when he has the flu (which he catches at least three times a winter).”


― Lisa Birnbach, in The Official Preppy Handbook

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Robert Whitcomb Robert Whitcomb

Processing 'space/place'

“So Here So There’’ (encaustic on wooden panels), by Barbara Ellmann, at the Hampden Gallery at the University of Massachusetts at Amherst, starting April 7.  The gallery says that Ms. Ellmann's large grids of encaustic paintings explore how we proc…

“So Here So There’’ (encaustic on wooden panels), by Barbara Ellmann, at the Hampden Gallery at the University of Massachusetts at Amherst, starting April 7.

The gallery says that Ms. Ellmann's large grids of encaustic paintings explore how we process and catalog our visual experience of space/place by “using varying degrees of abstraction and kinetic juxtapositions of form, color and pattern to suggest fleeting impressions, connections and memories.’’

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Robert Whitcomb Robert Whitcomb

Summery news from Ocean State


The Newport Armory, future home of the Sailing Hall of Fame.

The Newport Armory, future home of the Sailing Hall of Fame.

From Robert Whitcomb’s “Digital Diary,’’ in GoLocal24.com

Meanwhile, the state Commerce Corp. has approved a $200,000 grant to help bring the Sailing Hall of Fame to Newport, where it obviously belongs. The Providence Journal reported that the institution’s president, Gary Jobson, raised optimism that it would be able to move into the Newport Armory by saying that $3.5 million of the estimated total $4.3 million to $4.5 million cost of the project had been given or raised. The hope is that the museum will open sometime next year, making the City by the Sea an even more interesting place to visit.


And Commerce Corp. also approved about $2.2 million in tax credits to go to the Farm FreshRI food hub planned for the Valley area of Providence. The hub would be a place where food and farm business would, in The Journal’s words, “work together to boost local and regional food production’’ with the challenge that the region’s farms are small and few. The hub will be near United Natural Foods Inc.’s headquarters. So maybe they’ll start calling the neighborhood the “Food District.’’


Farm FreshRI plans to build a 60,000-square-foot headquarters on the site, which will also house retail and wholesale distributors and a year-round farmers market.


Anyway, both the Sailing Hall of Fame and farm food are pleasant reminders that summer will soon be here.



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'The God who made New Hampshire'

Mt. Washington, called by the Native American name “Agiochook’’ below. “Contoocook’’ refers to the Contoocook River, in central New Hampshire, in picture at bottom.

Mt. Washington, called by the Native American name “Agiochook’’ below. “Contoocook’’ refers to the Contoocook River, in central New Hampshire, in picture at bottom.

Though loath to grieve 

The evil time's sole patriot, 

I cannot leave 

My honied thought 

For the priest's cant, 

Or statesman's rant. 



If I refuse 

My study for their politique, 

Which at the best is trick, 

The angry Muse 

Puts confusion in my brain. 



But who is he that prates 

Of the culture of mankind, 

Of better arts and life? 

Go, blindworm, go, 

Behold the famous States 

Harrying Mexico 

With rifle and with knife! 



Or who, with accent bolder, 

Dare praise the freedom-loving mountaineer? 

I found by thee, O rushing Contoocook! 

And in thy valleys, Agiochook! 

The jackals of the negro-holder. 



The God who made New Hampshire 

Taunted the lofty land 

With little men; — 

Small bat and wren 

House in the oak: — 

If earth-fire cleave 

The upheaved land, and bury the folk, 

The southern crocodile would grieve. 

Virtue palters; Right is hence; 

Freedom praised, but hid; 

Funeral eloquence 

Rattles the coffin-lid. 



What boots thy zeal, 

O glowing friend, 

That would indignant rend 

The northland from the south? 

Wherefore? to what good end? 

Boston Bay and Bunker Hill 

Would serve things still — 

Things are of the snake. 



The horseman serves the horse, 

The neat-herd serves the neat, 

The merchant serves the purse,

The eater serves his meat;

'T is the day of the chattel

Web to weave, and corn to grind;

Things are in the saddle,

And ride mankind.



There are two laws discrete,

Not reconciled,—

Law for man, and law for thing;

The last builds town and fleet,

But it runs wild,

And doth the man unking.



'T is fit the forest fall,

The steep be graded,

The mountain tunnelled,

The sand shaded,

The orchard planted,

The glebe tilled,

The prairie granted,

The steamer built.



Let man serve law for man;

Live for friendship, live for love,

For truth's and harmony's behoof;

The state may follow how it can,

As Olympus follows Jove.



Yet do not I implore 

The wrinkled shopman to my sounding woods, 

Nor bid the unwilling senator 

Ask votes of thrushes in the solitudes. 

Every one to his chosen work; — 

Foolish hands may mix and mar; 

Wise and sure the issues are. 

Round they roll till dark is light, 

Sex to sex, and even to odd; — 

The over-god 

Who marries Right to Might, 

Who peoples, unpeoples, — 

He who exterminates 

Races by stronger races, 

Black by white faces, — 

Knows to bring honey 

Out of the lion; 

Grafts gentlest scion 

On pirate and Turk. 



The Cossack eats Poland, 

Like stolen fruit; 

Her last noble is ruined, 

Her last poet mute; 

Straight into double band 

The victors divide; 

Half for freedom strike and stand; — 

The astonished Muse finds thousands at her side. 

— ‘‘Ode, Inscribed to W.H. Channing,’’ by Ralph Waldo Emerson (1803-1882)

Covered railroad bridge over the Contoocook River in the town of Contoocook, N.H.

Covered railroad bridge over the Contoocook River in the town of Contoocook, N.H.






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Robert Whitcomb Robert Whitcomb

Indian caste system, there and in America

A 1922 stereograph of Hindu children of high caste, in Mumbai (then called Bombay)

A 1922 stereograph of Hindu children of high caste, in Mumbai (then called Bombay)

A couple of upcoming dinner speakers at the Providence Committee on Foreign Relations (thepcfr.org; pcfremail@gmail.com). Please consult thepcfr.org for information on how to join and/or send a query to pcfremail@gmail.com.

On Thursday, May 16 comes Phillip Martin,  senior investigative reporter for WGBH News and a contributing reporter to Public Radio International’s The World, a co-production of WGBH, the BBC and PRI -- a program that he helped develop as a senior producer in 1995.  Basing his comments on his recent reporting for PRI, he’ll talk about the Indian caste system and how it extends into the Indian immigrant community in the U.S. He’ll also talk about the  very challenging role of foreign correspondents in contemporary journalism. Many PCFR members have probably often heard his resonant voice on public radio.

Mr. Martin is the recipient of the Society of Professional Journalists 2017 Sigma Delta Chi award for Best Investigative Reporting and the 2014 national Edward R. Murrow Award for Best Investigative Reporting(large-market radio ). He also was honored with 2013 New York Festivals and United Nations UNDPI Gold Awards. He was part of a team of reporters that was honored in 2002 with a George Foster Peabody Award to NPR for coverage of the September 11th terrorist attacks in the U.S. He has received numerous other journalism and civic engagement honors over the course of his career.

He earned a master's degree in law and diplomacy from the Fletcher School of Law and Diplomacy at Tufts University and studied international protection of human rights law at Harvard Law School. 

xxx

On Tuesday, June 4, Douglas Hsu, a senior Taiwanese diplomat who currently oversees that nation’s interests in New England, will speak to us about current political and economic conditions in that nation (one of Rhode Island’s largest export markets), and China’s military and other threats to Taiwan.

 

 

 

 

 

 

 

 

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Robert Whitcomb Robert Whitcomb

Re-examining species hierarchies

“Alive 1.0’’ (fired and painted clay), by Ashwini Bhat, in the show “Origin of the Species,’’ through April 27 at the Lacoste Keane Gallery, in Concord, Mass."The show introduces radical but somehow familiar forms that ask us to re-examine Western a…

“Alive 1.0’’ (fired and painted clay), by Ashwini Bhat, in the show “Origin of the Species,’’ through April 27 at the Lacoste Keane Gallery, in Concord, Mass.

"The show introduces radical but somehow familiar forms that ask us to re-examine Western assumptions about species hierarchy," Ms. Bhat says, reports ArtScope. "We encounter a bestiary in which traces of the human and traces of the animal linger in imagined bodies on the brink of being born." She tries to encourage viewers to consider whether humans are truly the superior animal or actually more like the rest of the animal kingdom than we might think.


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