We’re all entangled

“Hassocky Meadow Trail, Ipswich River Wildlife Sanctuary,’’ in spring 2024, in Mary Lang’s show “Entangled,’’ at Kingston Gallery, Boston, through Nov. 2

She says:

“For decades my photographs had offered a feeling of space, often of groundlessness, of vast sky or open water, or at least an expansive horizon. Now, I am drawn to photograph tangled trees, vines, almost impenetrable thickets of growth. Why? What am I looking at? What am I trying to see? Or describe? This exhibition is the beginning of my answer to that question.

“First, these images are an invitation to take in complexity, to not feel claustrophobic when confronted by layers of growth, of living things, of pathless thickets, of entangled vines and branches. They are an invitation to be awed and drawn to more detail than your mind can absorb. In this fraught world, we need to increase our capacity to handle complexity. Secondly, they are a metaphor for entanglement, a term ecologists and climate activists use to describe the complexity of modernity: everything we do, everything that all of us do, everything that the earth does, is completely entangled, interdependent, inseparable. As human beings living in the Anthropocene era, we can’t avoid our complicity in the harm to the planet.’’ 

John Whipple House, in Ipswich, was built in 1677.