We’re all living in ‘helter skelter’

“Construction Trailer Manhattan Bridge’’ (oil on curved canvas), by Sam Cady, in his show “Helter Skelter Paradise,’’ at the Zimmer Art Museum of the University of Maine in Bangor.

The museum says:

“Known for his meticulously painted subjects realized on hand-crafted shaped canvases, Maine-based artist Sam Cady explores dual concepts, replete with tension and nuance, in the exhibition ‘Helter Skelter Paradise’. Images that evoke recreation, comfort and beauty are featured, while in an adjacent gallery, chaos and uneasiness pervade. 

“What grounds us in turbulent times? Which scenes or objects bring us joy and a sense of calm? In one gallery Cady brings together an assortment of works under the umbrella title of ‘Paradise.’ The selected paintings are subjects of introspection and solace and are imbued with optimism. ‘My paintings are homages to my subjects. They are ‘icons’ of the everyday world, objects, land/seascapes, weather, light, and how they make us feel’. Of course, subjects that bring positivity are different for each person but in this installation, we see Cady’s personal vision, history and inspiration.  

“In contrast, Cady creates a visual overload in the Zillman Gallery as paintings are installed in an unexpected, disjointed manner on several walls.  It’s as if the works were swept away suddenly by the roiling winds of a tornado. He comments on the focus of his work during the last five years, ‘the chaos of the world has made me want to comment on the extremes and contrasts of life with a range of emotional responses from humorous to deadly serious.’’’