‘Four seasons at once’
“The best way to describe Spring in New England is an awakening. It feels like everyone is coming out of hibernation after a quiet and cold winter. First the daffodils bloom then we have the cherry trees and tulips. Sometimes we experience all four seasons at once with a rainy morning, warm afternoon, and an overnight frost but that’s what makes it so special. You never know what to expect, only that summer is waiting for you on the other side.’’
Rhode Island photographer Caitlin James in Shorelines Illustrated
On the dots
“Blue Dot 10’’ (oil on canvas), by Mio Yamato, in her show “The Breathing Star,’’ at Heather Gaudio Fine Art, New Canaan, Conn., through April 29.
The gallery says:
“Mio Yamato has gained international attention in recent year for her signature marks -- copious amounts of tiny, pearl-like dots painted with oil or ink on canvases, wooden panels, walls, or large swaths of fabric. These are finely applied and arranged to articulate formations seen in nature, such as mountainous ranges, geological strata, constellations in the sky, and the like.’’
Ocean stories
Bathymetry of the ocean floor showing the continental shelves and oceanic plateaus (red), the mid-ocean ridges (yellow-green) and the abyssal plains (blue to purple)
Some ocean life
Text from ecoRI.org
“Surrounded by sounds of calming music and videos of ocean habitats projected onto walls, University of Rhode Island professors and students discussed their experiences with the oceans in an immersive ‘Oceans Tell Stories Through People’ presentation last month at the University of Rhode Island’s Graduate School of Oceanography.
“The diverse storytellers shared narratives about their devotion to and reliance upon the sea during their Micronesian upbringing, as a Narragansett tribal elder living near Charlestown Beach, while researching marine ecology in the Bahamas, and in their work in the muddy Ecuadorian mangroves.
“Juxtaposed against the tranquility of the presentation, however, the distressingly common undercurrents of racism, colonialism, and exclusion from our oceans conflated their stories.”
To read the full article, please hit this link.
But only for a while
“Sheltered’’ (lithograph), by Somerville, Mass.-based artist Carolyn Muskat, in her lithograph show “Moving Forward, Looking Back,’’ at Nesto Gallery, Milton, Mass., through April 6.
— Photo courtesy of the artist
The gallery says: “The interweaving lines and selective use of color in Muskat's work give a sense of deliberate intention in every piece she creates. The piece above uses what could be bright red twigs or branches to stand against a never-ending expanse.’’
The historic G.H. Bent factory, in Milton.
Chris Powell: Leftist fascism at colleges; apologizing for witchcraft convictions
In New Britain: View over campus of Central Connecticut State University.
— Photo by Artsistra
MANCHESTER, Conn.
Before voting on the huge increase in appropriations being sought by the Connecticut State Colleges and Universities system, state legislators should watch the video taken of the dozens of students and their friends who on March 2 invaded the Student Center at Central Connecticut State University, in New Britain, to prevent the showing of a film most probably had not seen.
The film, The Greatest Lie Ever Sold: George Floyd and the Rise of Black Lives Matter, was to be shown by the Central chapter of Turning Point USA, a conservative group. But the protesters commandeered the stage and chanted slogans, took seats and shouted interruptions, and even after being persuaded to leave by a university official, made so much noise outside the hall that the film had to be canceled.
The protesters called Turning Point USA a hate group even as their own misconduct dripped with hate for freedom of expression. They chanted "This is what democracy looks like" as they committed fascism.
A protesting student interviewed by The Hartford Courant called the film "triggering," yet, by attending the event, she had sought to be "triggered." Indeed, the protesters outnumbered the people who came to see the film, and the protest brought far more attention to the film than the event's organizers achieved by themselves.
This fascism from the political left is now typical of higher education throughout the country and it increasingly infects public higher education in Connecticut. It suggests that higher education is more interested in political indoctrination than scholarship -- indoctrination financed with tax money.
A university committed to freedom of expression and academic freedom would punish the students who prevented the showing of the film. If this is "what democracy looks like" at Central, legislators should stop sending public money there.
* * *
SLEAZE IS LIBERATED: Political blogger and newspaper columnist Kevin Rennie, a former Republican state legislator from South Windsor, Conn., revealed the other day that Democratic state senators are soliciting lobbyists at the state Capitol for thousand-dollar donations to the Hartford mayoral campaign of state Sen. John Fonfara. While state law long has forbidden legislators from seeking contributions from lobbyists for legislative campaigns while the General Assembly is in session, the ban doesn't apply to municipal campaigns like Fonfara's. Still, the solicitations stink of extortion, the more so because Fonfara is Senate chairman of the legislature's powerful finance committee. Many lobbyists need his favor.
Gross as this is, it may be more notable for showing just how politically uncompetitive Connecticut has been made by the Republican Party's infatuation with Donald Trump. Connecticut Democrats seem to believe that as long as Trump is the face of the opposition, they can get away with anything.
Will Republican legislators make an issue of the sleaze of their Democratic colleagues, as by proposing to extend the lobbyist-solicitation ban to cover municipal campaigns? Will Connecticut Republicans see that their association with Trump facilitates everything wrong that Connecticut Democrats do, and thus the state's decline as well?
SUPERSTITION EVOLVES: A resolution to apologize for the witchcraft convictions and executions that occurred in Connecticut nearly 400 years ago is advancing in the General Assembly and getting much publicity though it is only pious posturing, as if anyone today needs to be told that witchcraft really isn't so powerful and that innocent people were hanged.
Meanwhile the state should be much more concerned about recent wrongful convictions, some based on false confessions sweated out of young people. Recent wrongful convictions and imprisonments are estimated to have cost the state about $48 million. So legislation has been proposed to prohibit police from misleading, intimidating, or coercing criminal suspects.
What constitutes misleading, intimidating, and coercing may be difficult to define, so the legislation probably will lead to much litigation. But this issue is far more compelling than an official admission that Connecticut's superstitions have evolved over the centuries. While state government no longer believes that witches can do much harm, it now believes that, if the right political spells are cast, men can become women and women become men just by thinking it so.
Chris Powell is a columnist for the Journal Inquirer, in Manchester. (CPowell@JournalInquirer.com)
Nyla Samee, Khury Petersen: Past time to go after the gun makers
Springfield, Mass.-based Smith & Wesson’s M&P15-22 semiautomatic rifle
Via OtherWords.org
There is a familiar pattern after the mass shootings that have become a well-known feature of American life.
The initial shock and grief gives way to demands for greater regulation of gun ownership by Democrats, while Republicans dismiss such measures and blame mental illness instead. But if we actually want to do something about it, we need to have new conversations.
We often talk about where and how weapons are purchased — but rarely where and how they are manufactured. These realities challenge the conventional way we talk about guns in terms of a “culture war” between red and blue states.
1896 lithograph of Colt’s Manufacturing Co.’s factory and headquarters, in Hartford. The company is now based in West Hartford.
For example, the Blue states of Massachusetts and Connecticut have some of the strictest regulations on firearms carrying and possession. But they are also major sites of gun manufacturing in this country. The weapons used in the 2018 Parkland shooting, for example, were manufactured by Smith and Wesson, a gun manufacturer based in Springfield, Mass.
The deeper and bigger point is that the U.S. is the world’s principal supplier of weapons.
The U.S. weapons industry makes both heavy weapons, such as military aircraft, bombs, and missiles, and small arms like rifles and handguns. As of 2021, over 40 percent of the world’s exported arms came from the United States — many of them manufactured in deep blue states.
Blue states with strict gun laws often suffer gun violence when weapons are trafficked in from Red states with looser gun laws. Similarly, many countries surrounding the U.S. with high rates of gun violence, such as Mexico, obtain guns both legally and illegally from this country.
With no system to effectively control and track who ends up with those guns, these weapons are often obtained by military units or police that have committed human rights abuses or who work with criminal groups.
For example, in September 2014, local police in the state of Guerrero, Mexico, were responsible for the disappearance and murder some 43 students from the Ayotzinapa Rural Teachers College. The police were armed with rifles that were supplied legally from Colt, a prominent U.S. gun manufacturer based in Connecticut.
Most Americans, including most gun owners, support some level of gun control or background checks. But gun lobbies such as the NRA, which are so influential in Red states, don’t really represent gun owners — they represent gun manufacturers. In fact, of the NRA’s corporate partners, several are gun manufacturers based in Blue states.
As long as these corporations flood the U.S. and the world with guns, debate over who accesses these guns won’t get us very far.
So our current conversation serves the status quo. It further divides people in this country according to a “culture war” narrative, where politicians clash in rhetoric, but everyone knows that the actual situation will not change.
From the perspective of ending bloodshed, this isn’t working. We need to try something different, and it will mean some deeper interrogation about where these weapons come from.
This could mean reviewing the practices and impacts of gun manufacturers, demanding greater regulation, and — as with any product that causes far reaching harm — having a public conversation about whether companies should be allowed to make these weapons at all.
The mass production of guns has been a disaster — one that has dire consequences not only for U.S. communities, but for those all over the world. New ways of thinking will help us fulfill our responsibility to protect vulnerable people not just in the U.S., but people everywhere.]
Nyla Samee is a Next Leader at the Institute for Policy Studies, where Khury Petersen is an fellow.
'I grieve for that night'
“Gay Head” (on Martha’s Vineyard, 1860) (engraving), by David Hunter Strother
“Misty Morning, Coast of Maine” by Arthur Parton (1842–1914)
All these years I have remembered a night
When islands ran black into a sea of silk,
A bay and an open roadstead set to a shimmer like cool, white silk
Under an August moon.
Trees lifted themselves softly into the moonlight,
A vine on the balcony glittered with a scattered brilliance,
The roofs of distant houses shone solidly like ice.
Wind passed,
It touched me.
The touch of the wind was cool, impersonal;
The fingers of the wind brushed my face and left me.
I remember that I shivered,
And that the long, continuous sound of the sea beneath the cliff
Seemed the endless breathing of the days I must live through alone.
I grieve for that night as for something wasted.
You are with me now, but that was twenty years ago,
And the future is shortened by many days.
I no longer fear the length of them,
I dread the swiftness of their departure.
But they go — go —
With the thunderous rapidity of a waterfall,
And scarcely can we find a slow, cool night
To consider ourselves,
And the peaceful shining of the moon
Along a silken sea.
— “Grievance,’’ by Brookline, Mass.-based poet Amy Lowell (1874-1925)
‘Most pretentious people’
Waveny Mansion, in New Canaan.
“I lived in a town called New Canaan, in Connecticut, where they are far too snobby to even mention celebrities. Many American towns are famous for things like, "See the World's Largest Ball of String!" I think my town's would probably have to be ‘Most Pretentious People.’’’
— Katherine Heigl (born 1978), actress
Focusing on transience
“The Longest Night” (encaustic painting), by Melissa Rubin, a Saxtons River, Vt..-based artist.
She says:
“My art, in its all its varied forms, reflects the ephemeral, transient nature of emotion and experience. Spanning the worlds of urban and rural living, the architecture and environment of both locations, i.e. rectilinear and organic forms, works its way into my art. References to textiles, grids, doors, gates, portals, growth, branches and decay, all weave together to form a hybrid depiction of my outer and inner landscape. The media I choose functions as my personal vocabulary of expression, as well as standing in as proxy to emotional states of mind. I consciously work with materials that help to facilitate a sense of light, darkness and mystery.’’
Start of a game of water polo on Main Street in Saxtons River, after the Fourth of July parade in 2013. Volunteer firefighters try to spray the ball down the street to a goal. Looking west at the Saxtons River Historical Society (a former Congregational church).
— Photo by Pbergstrom
Llewellyn King: The Irish: ‘Little people,’ great writers and more; why they came to Boston
In Dublin
The Irish punch above their weight. That is why worldwide, on March 17, people who don’t have a platelet of Irish blood and who have never thought of visiting the island of Ireland joyously celebrate St. Patrick’s Day.
That day may or may not have been when St. Patrick, Ireland’s patron saint, died in the 5th Century.
The fact is, very little is known about St. Patrick. The broad outline is that he was born in Roman Britain, kidnapped by pirates as a child and taken to Ireland as a slave. He escaped, returned to Ireland as a Christian missionary and became a bishop.
To be sure, in the Emerald Isle truth can be augmented with folklore, mysticism, and the great love of a good story.
Hence devout Ireland can also believe in fairies and leprechauns, or little people, to this day. Both are quite real to some in Ireland, although, unlike the festival of St. Patrick, they don’t seem to have crossed the Atlantic, or even the Irish Sea, except in movies.
When horseback riding with my wife on an annual visit to the northwest of Ireland, we were curious about a stand of trees that seemed not to belong in the middle of a working farm field.
“A fairy ring is in there. You can ride through, if you keep on the path,” a stableman told us.
But he warned that if we got off the path, we would upset the fairies. “And you wouldn’t want to do that, would you?”
Indeed, we didn’t want to upset any fairies, so we stayed on the path, and all was well.
From what I have gathered, the little people co-exist with the fairies but also are separate.
A friend built a house for his mother near Galway. It was an A-frame house with a low, decorative wall around it. The wall had — surprise — a gap; not a gate, just a space of about 18 inches. That, she insisted, with the concurrence of locals, was for the little people to pass through. You don’t mess with the little people any more than you would trample a fairy circle.
The little people were originally an Irish tribe dating back to antiquity, who disappeared but were encased in legend. When Hollywood met Irish legends, the movies embraced the legends and expanded them.
Over the centuries, Ireland has been hard-used by England. It began with the English Reformation and Henry VIII and went on through the English Revolution, with Oliver Cromwell being especially brutal, then on to the potato famine in the 19th Century and the excesses of the Black and Tans, poorly trained and equipped, thuggish British troops with mismatched tunics and trousers.
Given that around 40 million Americans can claim some Irish ancestry, it might be argued that they were welcomed here. Hardly. Irish immigrants were often persecuted as they flooded in, escaping the privations at home.
I thank my friend Sheila Slocum Hollis, a very proud Irish-American, for pointing out that in the 1920s, the Irish were victims of the Ku Klux Klan violence in Denver. They fit the profile of KKK enemies, along with Blacks and Jews. Except they were Irish and Catholic.
In no field of endeavor have the Irish punched above their weight more than in literature. They took the language of the conqueror, the English, and have added to it immeasurably and profusely.
Irish writers have enhanced, expanded and luxuriated in the English language. Just a few towering names: Swift, Shaw, Wilde, Joyce, Yeats, Beckett, Goldsmith, Synge, Bowen, O’Brien, Hoult, Lavin, Murdoch, Binchy and, contemporarily, John Banville and Sally Rooney.
The Irish word for good fun is craic (pronounced “crack”). “Good craic” is a party where you indulge.
I wish you great craic this St. Patrick’s Day. May you consort with the little people, after some Guinness, and may the fairies guide you safely home. Sláinte!
Llewellyn
On Twitter: @llewellynking2
Llewellyn King is executive producer and host of White House Chronicle, on PBS.
Huge Irish flag hanging outside the Boston Harbor Hotel
— Photo by John Hoey
From The New England Historical Society:
“Boston has had an Irish population since the first four shiploads from Ulster arrived, in 1718. But not until the potato crop began to fail in 1845 did the huge influx of Irish immigrants sail into Boston Harbor.
The potato famine wasn’t the only thing that brought the Irish to Massachusetts rather than, say, Virginia or Maine. Hunger and poverty pushed the Irish out of Ireland, but the promise of work pulled them to Boston.
In the Atlas of Boston History, Robert J. Allison explains that Irish immigrants came for jobs. Jobs in the Merrimack River Valley, the most industrial region in the Western Hemisphere. Jobs in Lowell, the biggest industrial city in the United States. And jobs in Boston, a manufacturing powerhouse that led the nation in distilling and refining.’’
Irish immigrants arriving in Boston in 1857.
Picture of modern life
“The Kitchen” ( marquetry hybrid: wood veneer, oil, acrylic and shellac), by Allison Elizabeth Taylor, in her show “The Sum of It,’’ though July 30, at the Addison Gallery of American Art, Andover, Mass.
— Image courtesy of the Addison Gallery of American Art
The gallery lauds her “stunning works of wood inlay that are used to vividly represent modern-day subject matter. In 40 large-scale works and a room installation, Taylor captures a picture of modern life from the mundane to the exciting to the risqué using a centuries-old art form.’’
Andover Town Hall. Many elections in New England are held in March.
What the market will bear
Video: History of Ivy League sports.
Adapted from Robert Whitcomb’s “Digital Diary,’’ in GoLocal24.com
A suit by two basketball players, one a former Brown University player and one still playing there, alleges unfair, oligopolistic collaboration in sports programs by the Ivy League. The plaintiffs assert that the eight-college association’s policy of not offering athletic scholarships amounts to a price-fixing agreement that denies athletes proper financial aid and other payment for their services. The duo seems to have wanted to be treated as employees.
This case is absurd. These athletes have not been compelled to attend an Ivy League school. If they didn’t like these institutions’ long-established policies, they could have gone to many other places, some also called “elite,’’ in search of big bucks.
When the Ivy League as a formal organization was founded, in 1954, the ban on athletic scholarships was meant to be seen as fending off the corrupting commercialization of the sacred groves of academia and promoting the ideal, however naïve, of the “scholar-athlete
Complaints about price-fixing in the league go way back, spawned in part by the curious similarity of Ivy institutions’ tuitions. Consider this.
These schools charge what the market will bear, which is a lot when it comes to “The Ancient Eight.’’ Such is the American obsession with social status, they’ll continue to draw many more applicants than can be admitted, including top-notch athletes in search, above all of an education.
Landscape painter who broke barriers
“Landscape” (oil painting, 1870), by Robert S. Duncanson, at the New Britain (Conn.) Museum of American Art.
The museum says:
“Robert S. Duncanson is considered a member of the second generation of Hudson River School painters and is celebrated for his idyllic pastoral scenes of peaceful rivers and verdant mountains. Successful during his lifetime, he was known in the 1800s by American press as the ‘best landscape painter in the West,’ and London newspapers hailed him as an equal to his British contemporaries. Born a freedman in Seneca County, N.Y., in 1821 to mixed-race parents, Duncanson moved to the prosperous city of Cincinnati in 1840 to pursue a career in the arts, and he taught himself by painting from nature and by copying reproductions of works by Hudson River School masters. In the late 1840s, he befriended local landscape painters Worthington Whittredge (1820-1910) and William Louis Sonntag (1822-1900), with whom he took numerous sketching trips, including a European Grand Tour with Sonntag in 1853. In the ensuing years, Duncanson traveled throughout North America and Europe, exhibiting and selling work with great success, despite being excluded from many of the expositions in America that his white peers could participate in. His paintings commanded up to $500 per work—a very high sum at the time. Duncanson died at 51, and while his work fell into obscurity for many decades, he is now recognized as a premier 19th-Century landscape artist, who broke barriers and paved the way for landscape painters and Black artists for generations to follow.’’
We’ll settle for spring
“The Garden of Eden” (painting), by Massachusetts artist Eileen Ryan, at 3S Artspace, Portsmouth, N.H., March 22-April 16.
She tells the gallery:
“I have many ideas pulsing through me at once and I have found that they are visually represented in two distinct ways in my art. The first is an organized approach to exploring concepts and questions. In a methodical manner using a naturalistic aesthetic I hypothesize and create around my findings. The second is through painting, where color and form begin without a plan and the questions and concepts are revealed at the end of the painting. This process takes trust and often leads to discovering things about myself and my subconscious.
“Painting for me feels like diving into the unknown, with ideas and facets of my self glinting throughout and the full spectrum only being revealed in the end of the painting. It’s like I am searching for the questions in my paintings, and answering them in my installations.
“This series of paintings documents recurring dreams I have had since I was a child. The settings range from magical dreamscapes to nuclear nightmares often including idols from my Catholic upbringing and mythical characters from stories I grew up listening to. These narratives are about the balance of power, warnings from the deep, and mystics representing creative energy and greed.’’
Portsmouth, N.H.
David Warsh: Say goodbye to the Monroe Doctrine
John Quincy Adams, who as President James Monroe’s secretary of state, was one of the fathers of the Monroe Doctrine, which was announced on Dec. 2, 1823.
SOMERVILLE, Mass.
Everybody agreed that the language was blunt. China’s president, Xi Jinping, last week told a national audience, “Western countries led by the United States have implemented all-round containment, encirclement and suppression of China, which has brought unprecedented grave challenges to our nation’s development,” Xi was quoted as saying by the official Xinhua News Agency.
The next day Gen. Laura J. Richardson, commander of the U.S. Southern Command, which is responsible for South America and the Caribbean, testified before the House Armed Services Committee that China and Russia were “malign actors” that are “aggressively exerting influence over our democratic neighbors…” She continued:
Among other activities, China has built a massive embassy in the Bahamas, just 80 kilometers (50 miles) off the coast of Florida. “Presence and proximity absolutely matter, and a stable and secure Western Hemisphere is critical to homeland defense.
The day after that, Saudi Arabia and Iran agreed to re-establish diplomatic ties, The Middle East powers have a long history of conflicts. China hosted the talks that led to the breakthrough. Peter Baker, of The New York Times, wrote,
This is among the topsiest and turviest of developments anyone could have imagined, a shift that left heads spinning in capitals around the globe. Alliances and rivalries that have governed diplomacy for generations have, for the moment at least, been upended.
With good books piling up on my side table – Accidental Conflict: America, China, and the Clash of False Narratives (Yale, 2022), by Stephen Roach; Danger Zone: The Coming Conflict with China (Norton, 2022), by Hal Brands and Michael Beckley; Cold Peace: Avoiding the New Cold War (Liveright, 2023), by Michael Doyle – I decided instead to look back at a 12-year old book, Time to Start Thinking: America in the Age of Descent (Atlantic Monthly Press), by Edward Luce.
Roach, an economist, is a former chairman of Morgan Stanley Asia. Brands, a historian, is a professor at Johns Hopkins University. Beckley, a political scientist, is an associate professor at Tufts University. Michael Doyle, a political scientist, is a professor at Columbia University.
But Luce is the U.S. national editor and columnist of the Financial Times, and his column last week appeared under the headline, “China is Right about U.S. Containment,”
[L]oose talk of U.S.-China conflict is no longer far-fetched. Countries do not easily change their spots. China is the middle kingdom wanting redress for the age of western humiliation; America is the dangerous nation seeking monsters to destroy. Both are playing to type.
The question is whether global stability can survive either of them insisting that they must succeed. The likeliest alternative to today’s U.S.-China stand-off is not is not a kumbaya meeting of minds but war.
When I picked up Luce’s The Time to Start Thinking, what struck me was how pessimistic his tone was. He had taken nine months off from his newspaper, traveling for six months and writing for three. He recorded encounters with all kinds of Americans, mostly powerful, some without power. His title came from the Sir Ernest Rutherford, winner of the 1908 Nobel Prize in Chemistry: “Gentleman, we have run out of money. It is time to start thinking.” I was reminded immediately of Aaron Friedberg’s The Weary Titan: Britain and the Experience of Relative Decline, 1895-1905.
Luce was writing in the aftermath of a lengthy recession, the Tea Party election, the 2008 financial crisis, and the debacle of the U.S. war in Iraq. The last chapter begins, “Why the coming struggle to reverse America’s decline faces long odds.” It concludes, “The truth is America’s stock has been falling around the world for quite a while…. Simply proclaiming the superiority of the American model is not helping anyone’s credibility.” Ahead lay the presidencies of Donald Trump and Joe Biden, and an ill-understood war in Ukraine.
Yet last week Luce was warning against the folly of trying to “contain” China’s expansion on the basis of the Cold War blueprint that worked well against the Soviet Union, encouraging the U.S. to compete on its merits instead. “Unlike the USSR, which was an empire in disguise, China inhabits historic boundaries and is never likely to dissolve. The U.S. needs a strategy to cope with a China that will always be there… Betting on China’s submission is not a strategy.
Instead, Luce counseled, the U.S. should muster its revolve and rely on its advantages. It has “plenty of allies, a global system that it designed, better technology, and younger demographics.” China is aging, its growth is slowing, though its leaders nurse ambitions not to change, but to set the rules of the game. The big difference that Luce stressed in 2012, while China is still flush, the US has overspent.
So what will it be? War over Taiwan? A symbolic moon-race to AI? Or a sometimes-smoldering era of systemic competition in all four corners of the earth? We are not out of money, but it is well past the time to start thinking.
David Warsh, a veteran columnist and an economic historian, is proprietor of Somerville-based economicprincipals.com, where this column originated.
‘Balanced on a human scale’
Old Constitution House, in Windsor, Vt., where the Constitution of the Vermont Republic was signed, in 1777.
“When people who have never lived in New Hampshire or Vermont visit here,
they often say they feel like they've come home. Our urban center, commercial
districts, small villages and industrial enterprises are set amid farmlands and
forests. This is a landscape in which the natural and built environments are
balanced on a human scale. This delicate balance is the nature of our
’community character.’ It's important to strengthen our distinctive, traditional
settlement patterns to counteract the commercial and residential sprawl that
upsets this balance and destroys our economic and social stability."
~ Richard J. Ewald, in his book Proud to Live Here.
American Precision Museum at the old Robbins and Lawrence factory, in Windsor. The building is said to be the first U.S. factory at which precision interchangeable parts were made, giving birth to the precision machine-tool industry
‘The dead ripen’
— Photo by Gerthorst78
“….The creek swells in its ditch;
the field puts on a green glove.
Deep in the woods, the dead ripen,
and the lesser creatures turn to their commission….’’
— From “Jug Brook,’’ by the Cabot, Vt.-based poet Ellen Bryant Voigt. Cabot is where Cabot Creamery, a producer and national distributor of dairy products, is based.
‘Exaltation of the domestic’
“Anatolia’’ (watercolor), by Randolph, Mass.-based Annee Spileos Scott, in her show “Mapping My DNA,’’ at Galatea Fine Art, Boston, April 7-30.
She told the gallery:
"I have always been drawn to the ancient civilizations of Eurasia,
reveling in the brilliant colors and obsessive patterning. I was not
yet cognizant of the fact that many of them are in my DNA.
During the lockdown, I was encircled by family heirlooms and
souvenirs of my global travels from many of these cultural
destinations. Still lifes, inspired by these precious objects and the
results of my DNA testing, converged into metaphors for my
ancestral roots. The process of creating these paintings provided
beauty and salvation from the dark outer world of the pandemic.
The work celebrates women, keepers of cultures and tradition.
The exaltation of the domestic, displayed in arrangements of both
opulent objects and those of the everyday, reveal history, memory,
and a sense of belonging to a long line of women in my ancestry.
National fruits and flowers were added as organic elements,
symbolizing the source of all life which inhabits each region.’’
A cabin of the Ponkapoag Camp (established in 1921), of the Appalachian Mountain Club, on the eastern shore of Ponkapoag Pond in Randolph. The camp has 20 cabins, dispersed across a wooded area, that typically each sleep 4-6 people. No electricity or potable water is available at the camp; untreated water may be taken from the pond. In the summer the camp also makes available a few tent sites for camping. It’s near Great Blue Hill, at 635 feet, the highest point in Greater Boston.
Who makes this stuff?
The June 1, 2011 tornado that killed three people in and around Springfield, Mass.
— Photo by Runningonbrains
“I reverently believe that the Maker who made us all makes everything in New England but the weather. I don’t know who makes that, but I think it must be raw apprentices in the weather clerk’s factory who experiment and learn how, in New England, for board and clothes, and then are promoted to make weather for countries that require a good article, and will take their custom elsewhere if they don’t get it….’’
–Mark Twain (1835-1910)